27-Sq.-Meter, $5,000 House.
by curibem
CPM construcciones prefabricadas
Bogota, Colombia
From: Construction.com
Month: May 2009
6백만원짜리 주택
Posted by – May 28, 2009
“House for a Photographer II”중에서
Posted by – May 26, 2009
Out of “House for a Photographer II – Carlos Ferrater, with Carlos Escura – Alcanar, Spain”
From to : http://archrecord.construction.com/residential/recordHouses/2009/09photographer
층고를 활용한 수납공간의 활용방안 참조[인테리어 참조]
Record Houses 2009 “Villa 1″ [McGraw-Hill Construction]
Posted by – May 26, 2009
Villa 1
Ede, the Netherlands
Powerhouse Company
Powerhouse Company fits a futuristic glass gem into the Dutch landscape with Villa 1.
In a densely inhabited country like the Netherlands, it is not easy to find a secluded spot for a private residence. But that was just what a client was looking for when he commissioned a new home in the town of Ede from Powerhouse Company, the young firm of Nanne de Ru and Charles Bessard, based in both Rotterdam and Copenhagen. The house, which was the firm’s first project, is called, appropriately, Villa 1.
Secluded though it may be, it has certainly not gone unnoticed. It received the AM NAi Prize of the Netherlands Architecture Institute for architects under 40, the Dutch Design Award for its interior, and was nominated for the European Union Prize for Contemporary Architecture Mies van der Rohe Award. And indeed, even though it is sequestered away in the woods, how could a building like this remain anonymous? It has a swoopy Pussy Galore-meets-Mies quality that is “super-cool.” At the same time, it is crafted with such attention to material and detail that it is utterly tactile.
The design was inspired by a small drawing created by the client when he was a young boy—a few straight blue lines sketched on yellowed paper. “When I was thirteen, I made this sketch of the house that I would build someday,” he says. “Now I have it.”
The architecture was also influenced by the site, which had a small weekend house on it at the time it was purchased. Local zoning stipulated that any new building be no larger than the existing structure, which was about 2,153 square feet. The municipality, however, was willing to overlook the space below grade and allow a basement. So the architects were able to more than double the size of the new house to about 5,167 square feet divided over two levels—one subterranean, the other airy and at grade, with curved glass walls, which seems to hover just above the ground. All the columns but one are hidden from sight, reinforcing the sense of a floating, transparent volume.
The travertine-clad steel structure extends out to about 16 feet beyond the glass curtain wall that surrounds the interior. Wrapping around the kitchen above the garage, it is intersected by a horizontal, slitlike window so that from the inside, occupants can always enjoy the view to the southwest. “Everything—the shape and the overhang of the roof, the positioning of the building—was determined by the orientation to the sun,” says de Ru. “It allows generous light in the winter and shades the rooms in the summer in order to keep the house from overheating.”
This relationship to daylight resulted in the unique plan of the house, roughly the shape of a Y with a short stem. On the ground floor, the study faces north, the living room faces south, and the kitchen (at the base of the Y’s stem) gets light from the east, west, and south. These “wings” meet at the heart of the house, the combined entrance hall and dining room with a dining table and a fireplace. The wing to the left has a large studio at its far end. Here the roof and the outer wall extend past the glass box, forming a partially enclosed terrace punctuated by a narrow reflecting pool under an open skylight.
Separated from the studio by a small patio, the living (aka family) room seems to be the most enclosed space in the house—that is, until what looks like a stationary green marble wall slides soundlessly open to the terrace beyond. Lighter than it appears, the massive double-layer sliding door, measuring about 13 feet long by 9 feet high, is made out of aluminum honeycomb panels covered with a .08-inch-thick stone veneer from Pakistan. Stone veneer reappears in the kitchen, where the walls are covered in a rare Norwegian slate with granite flecks.
In the study wing opposite, an ingenious undulating wood structure covered in American walnut (veneer again, and obtained from one single tree) organizes closets, a small bathroom, a fold-down guest bed, a niche for a small desk, and the hidden entrance to the stairway down to the bedrooms. Here, too, the roof and the outer wall extend past the glass box. But, as there are no columns on this side of the house, the glass wall required stabilization. To remedy this without compromising the pure aesthetic of the design, the architects devised a structural-steel bookcase weighing about 10,482 pounds, thoughtfully configured so that there is just enough space behind the bookcase to be able to clean the glass wall.
Below grade—the private area of the home—the master suite opens out onto a generous, split-level deck equipped with a spa tub. Two guest bedrooms and baths in the opposite wing receive daylight from the sunken patio between the living room and studio upstairs. Adjacent to both, a long hallway features approximately 66 feet of continuous built-in storage. Finally, at the far end of the lower level, the garage is a high-tech tour de force sheathed in corrugated-aluminum wall panels fitted with vertical fluorescent tubes, with a ceiling of shimmering, quivering plastic foil overhead.
Its jazzy looks, luxurious materials, and fine details are in themselves enough to make this house stand out. But it is not just about superlative style and comfortable appointments. What makes this house truly noteworthy is the symbiosis between form and function, the way the aesthetic springs from design rigor and the conditions of the site. This is modernity for a new millennium.
From to : http://archrecord.construction.com
해상자유도시(면세,정치,문화,법자유도시 구상)
Posted by – May 25, 2009
The Seasteading Institute Announces The Winners Of The Seastead Design Contest
바다 위에 유토피아를 건설하겠다는 목표로 결성된 단체인 ‘시스테딩 인스티튜트’가 주최한 바다 도시 디자인 공모전 결과
The Seasteading Institute has crowned the winners in its first Seasteading Architectural Design Contest. The Contest, which ran from February 1st to May 1st, invited participants to design the floating city of their dreams. The winning design was awarded a $1000 grand prize, and there were four additional $250 prizes for specific categories.
Seasteads are permanent, stationary structures specifically designed for long-term ocean living. Entrants into the contest were provided with a 3-D model of TSI’s patent-pending base platform, on which they built creative architectural designs for a new society of ocean pioneers. The specifics of the design, aesthetics, and intended use were entirely up to each designer.
Entrants ranged from amateur 3D designers to professional architects and architecture students. 41 qualified designs were entered, including sports arenas, medical facilities, universities, hotels, and residences. The designs were judged by a panel of TSI staff, volunteers and board members.
The Winning Designs:
- $1,000 Grand Prize: The Swimming City — András Gyõrfi (Runner Up: Seagull Hotel — Matias Perez)
- $250 Prize for Aesthetic Design: SESU Seastead — Marko Järvela (Runner Up: Entwined Dragon Seastead — Patrick Kenny)
- $250 Prize for Personality: Rendering Freedom — Anthony Ling (Runner Up:The Arch — Rory O’Hagan)
- $250 Prize for Best Picture: Oasis of The Sea — Emerson Stepp (Runner Up: La Gallerie de la Mer — Hakeem Bux)
- $250 Prize for Community Choice: Refusion — Team 3DA (Runner Up: Micro City Community — Ettore Mele)
Winners will receive a cash prize, along with free admission to the 2nd annual Seasteading conference, a free membership with TSI, and a commemorative piece of merchandise with their design on it.
The wealth of creative talent that was brought to bear for this contest has provided TSI with a wonderful vision for the future of seasteading. “I am awed by the creativity and effort put into these entries, which portray a compelling and beautiful vision of a new way of life.” says Executive Director Patri Friedman. “Before something can be built it must be imagined and expressed, and these imaginative models express the possibilities for seasteading.”
Full details on the contest winners and pictures of the winning designs can be viewed on the TSI website at: http://seasteading.org/design-contest-winners
Contact:
The Seasteading Institute
Press Inquiries:
press@seasteading.org
http://seasteading.org/learn-more/press
General Inquiries:
info@seasteading.orghttp://www.seasteading.org/
About TSI: The Seasteading Institute is a California nonprofit corporation that is in the process of applying for recognition of tax exemption under Section 501(c)3 of the Internal Revenue Code. TSI’s mission is to establish permanent, autonomous ocean communities to enable experimentation and innovation with diverse social, political, and legal systems.
‘시스테딩 인스티튜트’는 구글의 엔지니어 패드리 프리드먼 등 미국의 신흥 백만장자들이 주축이 되어 만든 단체다. 공해 상에 인공 섬을 만들어 새로운 정치 문화적 실험을 하겠다는 것이 이들의 목표다.
From to http://seasteading.org
‘대구의 부자’ 대구의 부촌 이동경로
Posted by – May 18, 2009
1950∼80년대 대구부촌 변천사
부촌도 시대의 산물. 조선시대에는 부촌이란 개념이 없었다. 그냥 ‘양반촌’으로 불렸다. 돈보다 신분이 앞선 셈.
일제강점기 때 지주형 부호들은 광복 직후 맥을 못춘다. 진골목과 계산동의 고래등 같은 지주들의 집은 상당수 요정 및 식당으로 변한다. 광복 직후만 해도 대구엔 양옥 수요가 거의 없었다. ‘고래등표’ 한옥은 1965∼66년 봉덕1동 근처에서 시작된다. 그때 약 200채가 지어진다. 세월이 흘러 지금 그 건물은 흉가로 전락했다. 그때 지역 부호들은 그런 한옥에서 살았다. 하지만 72년 1월 1일 한옥시대는 마감을 한다. 정부에서 산림정책 일환으로 한옥건축이 금지된다. 이때부터 한옥 부자들이 중구 도심을 벗어나 봉덕·대봉·대명동으로 새집을 지어 이사를 간다. 이때부터 ‘양옥=부자’란 등식이 성립된다.
70년대부터 지역 부촌이 대구 상권처럼 봉덕, 대봉 등지로 서남진(西南進)한다. 영남대병원 후문 길 건너 대명1·3동 언덕에는 경북광유 박진희 회장, 동국직물의 백욱기 회장 등 지역의 내로라는 CEO들이 몰려든다. 자연 ‘대명동은 부촌’이란 인식이 싹튼다. 집 모양도 너무 닮았다. 회색 2층 양옥, 양탄자 같은 잔디밭, 높은 담, 맹견, 투박한 철문, 고급 정원석과 관상수 등.
80년대로 접어들면서 부촌은 더 남하해 앞산 옛 중앙정보부가 있던 대명9동으로 이동된다. 대표적인 집이 현재 대명9동 사무소 바로 동쪽 이효상 전국회의장 집. 기존 잿빛 스타일에서 벗어난 유럽풍이다. 이 집 스타일이 80년대 부호들이 가장 선호했던 적벽돌조. 현재 일송명가 식당으로 변한 미문화원장집도 그 스타일이다. 특히 18번도로 상에는 전두환 전 대통령의 누이 집도 있어 숱한 화제를 낳았다. 대명9동 파출소장은 늘 그 집 근처에 초소를 두고 24시간 경계, 도둑들은 대명9동만은 건드리지 못했다. 하지만 그 잘나가던 대명9동도 아파트 붐에 밀렸고, 부자들이 아파트로 가는 바람에 이젠 원룸촌으로 변하고 있다.
# 부자들은 아파트로 몰려가고
아파트 붐은 맨션에서 비롯됐다. 70년 대구·73년 대봉·80년 송정이 주도한다. 이때까지만 해도 단독주택 부자들은 잔디밭 없는 아파트를 탐내지 않았다. 하지만 78년 대봉동에 대구 첫 고층 아파트인 청구아파트가 생기자 부자들도 움찔거리기 시작한다. 79년 서구 7호광장 옆에 삼익맨션, 83년 삼익뉴타운이 생기자 ‘미래파 부자’들이 대저택을 처분하고 너도나도 아파트로 간다. 79년 용마맨션, 80년 대명1동 정우맨션, 미리내 맨션, 특히 청구의 몸값을 올려준 수성구 경남타운(82년), 서구 광장타운(84, 87년), 86년 경북고 자리에 청운맨션, 88년 남구 효성타운, 황제맨션, 궁전맨션, 장원맨션, 90∼91년 대덕맨션 등이 우후죽순처럼 솟아난다.
이 와중에 수성구 아파트 붐을 이끈 건 88년 4월 분양된 지산동 녹원맨션. 특히 89년 대륜고 자리에 들어선 수성1가동 신세계타운에는 다양한 직군의 부자가 포진한 쾌적한 아파트로 지금까지 인기가 높다. 94년 11월 서울시 서대문구 연희1동에 터를 둔 노태우 전 대통령은 당시 시가 2억3천900만원이던 동구 지묘동 팔공보성아파트, 박철언 전 청와대 정치특보는 가든하이츠(1차 85년, 2차 90년)에 들어가기도 했다.
# 명품 빌라, 수성구 엘리시온과 경일원
지난 해 대구지역에서 6억원 이상부터 부과되는 종합부동산세 과세 대상 주택이 처음 등장했다. 수성구 범어4동 92∼110평 규모의 명품 빌라 우방 엘리시온. 분양가격은 9억2천만∼11억5천만 원. 2005년 6월부터 VIP고객만을 대상으로 홍보에 들어간 엘리시온은 철저하게 ‘부띠크 마케팅’을 택했다.
또한 두산오거리 근처 지산1동 경일원 14가구(87년 분양)도 명품으로 통한다. 집값은 10억원 이상, 크기는 150∼300평 규모. 이밖에 공사중인 범어동위브 더 제니스(53층, 1천481가구)는 지난해 말 대구 최고의 분양가(77평형 기준 9억8천만∼10억300만 원)를 기록했다. 공사 중인 달서구 감삼동 100평급 주상복합 대우 월드마크 웨스트엔드도 ‘귀족 아파트’로 평가받고 있다.
올해 국세청이 발표한 기준시가를 기준해 대구에서 평당 가격이 가장 비싼 아파트는 수성구 황금동 태왕아너스 87평형(6억4천만원), 수성구 지산동 경일원 90평형과 수성구 만촌동 메트로팔레스 2단지 90평형이 2·3위를 차지했다. 이밖에 수성4가 수성하이츠 90평형, 황금동 화성고려파크뷰, 상동 정화우방팔레스, 용산동 용산롯데캐슬, 범어동 우방하이니스, 수성4가동 우방 사랑마을, 수성구 대우트럼프월드, 유림 노르웨이 등도 ‘부자 아파트’로통한다.
/영남일보
2007.6.2
글=이춘호기자 leekh@yeongnam.com
사진=우태욱기자 wtw@yeongnam.com
Plaza Espana Tenerife Herzog de Meuron
Posted by – May 13, 2009
자연적인 벽면 및 사면 조경사례
From : http://www.iwan.com
